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  • Phone sex cd

    25.01.2018

    It just felt like it was all a natural result of using the technology available. I would grab a sample and take it a third, then take it a fourth, until it was sounding good. I was then quite surprised that other people liked it. And being a bit more psychedelic. I liked working with dialogue. I was thinking more about what I wanted to hear. I always thought that as a musical style it was probably the most original thing that was around at that time in my life. It was a sort of really dirty [adopts hushed sexy tones] 'Come over to the bed…' thing. I used to end up with all these really crappy records, but on each one of them there would be something.

    Phone sex cd


    You can unsubscribe at any time and we'll never share your details without your permission. I had to use it. I touched on drum 'n' bass rhythms in my drum programming here, with a bit of Beenie Man thrown in over the top. I always liked grooves where everything was a bit late, and everything falls a little bit late here. The horse has been sent to market and the buyers are slapping the horse around to see if it's in good nick. I would grab a sample and take it a third, then take it a fourth, until it was sounding good. I always thought that as a musical style it was probably the most original thing that was around at that time in my life. We ended up calling it 'the lost weekend'. I was always tempted to make more uptempo music, but I ended up getting bored. It sets the tone up for the record as well. I said to him, 'Come on. Fuck me, this is over nine minutes long! I had various little recorders that I used to use. I had quite a good Sony one. I just told them that I wanted to make a track where nothing can play it. The sequencing of the record came very naturally as it got made. I just thought I wanted to make things a bit more interesting, just for me. He wanted a piece of music for it, and I did that for him originally. I think that is what half the frustration was when I was making this album: The result was the bonkers little album Hed Phone Sex - a wonderfully woozy low-bpm trip through the type of dubby bass, choice dialogue snippets, and precision drum programming, that would come to define the mids era of Ninja Tune and trip-hop. James Braddell - aka Funki Porcini - had that itch to dig through charity shop records and promotional flexi-discs and load an ever-increasingly kooky batch of sounds into his sampler, just for the fun of it. It's like a little bit of lemon juice to cleanse the palette. I put together a nice groove inspired by the story. It was a sort of really dirty [adopts hushed sexy tones] 'Come over to the bed…' thing. It was a lot more difficult to do back then.

    Phone sex cd

    Video about phone sex cd:

    Blood Diamonds (feat. Grimes) - Phone Sex (4AD)





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