Sets for each of these rooms were built as separate sets on an as-needed basis. Composer Bruce Miller, who had also composed for Wings, was asked to avoid explicitly mentioning any subjects related to the show such as radio or psychiatry. Creation[ edit ] During the eighth season of Cheers, Grammer made a deal with former Cheers producers David Angell, Peter Casey, and David Lee who were moving on to produce Wings that they would do a new series together once Cheers ended. The set was designed based on ABC's then-brand-new radio studios in Los Angeles which the production designer visited. In it, Grammer and Mahoney exchanged a few lines. The creators suggested to NBC that they would like to cast someone like Mahoney, to which NBC told them if they could get Mahoney, they could hire him without auditions. They decided to ignore Frasier's statement on Cheers and created the role for Pierce. Over the title card, one of about 25 brief musical cues evoking the closing theme is played.
The creators quickly hired Gilpin, their second choice. After Miller finished the music, lyricist Darryl Phinnesse suggested the title as they were things that were, like Frasier Crane's patients, "mixed up". Stools were specifically omitted to avoid any similarity to the bar on Cheers. If space for the full set was not available, a smaller version that omitted the tables closest to the audience could be used. Once he was given a script, he was initially concerned that his character was essentially a duplicate of Frasier, thinking that it would not work. Although effective, the system often caused panic among guest stars. Frasier had told his bar friends on Cheers that he was an only child. Grammer points out that very little of the Frasier Crane of Cheers carried over to Frasier, as his family history was changed, the setting, his job, and even the character himself changed from the Cheers predecessor, having to be more grounded as the central character of the show so the other supporting characters could be more eccentric. In it, Grammer and Mahoney exchanged a few lines. According to the season-one DVD bonus features, the photograph used on the set was taken from atop a cliff, possibly the ledge at Kerry Park , a frequent photography location. The end credits of season finales show greyscale headshots of celebrities who had "called in" that season. The KACL callers' lines were read by anonymous voice-over actors during filming in front of a live audience, and during postproduction , the lines were replaced by celebrities, who actually phoned in their parts without having to come into the studio. Composer Bruce Miller, who had also composed for Wings, was asked to avoid explicitly mentioning any subjects related to the show such as radio or psychiatry. They originally intended that she would appear after several episodes, but were so enjoying writing excuses for her absence that eventually they decided she would remain unseen, and after the increasingly eccentric characteristics ascribed to her, no real actress could portray her. The creators were "blown away" both by his resemblance to Grammer and by his acting ability . The color of the title text changed for each season respectively: The main show featured a "street-smart" Hispanic live-in nurse who would clash with the main character. In most episodes, once the skyline and title appear, the skyline is augmented in some way, such as windows lighting up or a helicopter lifting off. They decided to ignore Frasier's statement on Cheers and created the role for Pierce. The set was designed based on ABC's then-brand-new radio studios in Los Angeles which the production designer visited. A set was also used on occasion for the exterior patio. The studio itself consists of two rooms: Some cast members of Frasier had appeared previously in minor roles on Cheers. Peri Gilpin appeared in a Cheers episode titled "Woody Gets an Election"  playing a reporter who interviews Woody when he runs for office. One of the show's signature elements that it became well known for was the apartment's design which included elements such as a slightly split-level design, doors with triangular wooden inlay features, numerous pieces of well-known high-end furniture such as a replica of Coco Chanel 's sofa, and both Eames and Wassily Chairs and a notable view from the terrace which was frequently complimented by visitors. One element of the original concept that was carried over was the live-in health-care provider which would be for Frasier's father. The set also included the kitchen through an open archway.
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